“The Salmon was the perfect opportunity to craft our own playbook and pass on our learnings to a new generation of Canadian directors,” he says. Last year, the duo launched their own Canadian production company called ‘The Salmon’, a process that Dave says was made possible - in part - by the mentorship that Arts & Sciences’ director and partner Matt Aselton (who he affectionately dubs ‘Sir Matt Aselton’) provided them. He continues, “Any actual disagreements are handled away from the crew, off-set, in our own private ‘rage room’, stocked with the worst-selling merch items (the Hummel-style figures of Dave fishing while wearing a diaper came out pretty disturbing and were not a big seller).” 2) The opportunity for a merch table now on set featuring ‘Adam’ or ‘Dave’ branded gear so we can definitively know who is the more popular one.” This has led to two things 1) Fewer disagreements. “We used to accidentally dress the same on set, and that caused some friction,” he says. Still on the topic of creative disagreements, any hopes that Dave might be the more transparent one are squashed in an equally quick, tongue-in-cheek manner. Now we have had time to reflect on how inappropriate that was, we have changed our approach.” Time perhaps for a more serious response? He adds, “Whoever takes the most lashings with the USB cord now is called ‘Supreme Leader’, which is more gender-inclusive language.” Perhaps not. Whoever could take the most lashings with the USB cord, would be crowned ‘King For The Day’, and all of the King’s ideas would move forward. Finding increasingly absurd ways to avoid revealing their top-secret on-set techniques, Adam continues: “We used to settle our disagreements by getting an old USB cord and taking turns whipping each other on the back of the legs. You can see why the pair have excelled so well in the field of comedy. It just looks exactly like your watch that you carelessly lost’. Did you check your wrist?’ or ‘Actually this is my watch. “For instance, on set, I might say to Dave, ‘Nice watch!’ or ‘When did you get that watch?’ or ‘How much do you want for that thing?’ or ‘No, I haven’t seen your watch. “We not only complement each other creatively, but we also complement each other stylistically,” confirms Adam. “Our deeply Catholic film professor was not a fan,” adds Adam.Īfter years of developing their chemistry, Dave shares that they act as one on set, joking that if one of them were to be assassinated by rival directors then the show would go on without a hitch. Their first joint film project, however, was a ‘Serpico’ spoof about an undercover priest exposing corruption in the Vatican: “The Father, The Son, and The Holy Bullet. I was intrigued.”ĭespite this peculiar start, the pair admired each other’s work in production class and began to collaborate at film school - as well as teaming up in extracurricular activities, like “dominating karaoke night at the local bar”. “Adam was accompanied by a cherub-faced ‘security guard’ wearing a suit and an obviously fake moustache (I would later learn this was his roommate Blair) who swept through the theatre pretending to speak into an earpiece while guiding Adam to his seat. Looking back to when they first met, Dave remembers a particularly unusual first impression at a screening of the cult film ‘Momento’ that has stuck with him ever since. Their work has been recognised at awards shows like Cannes Lions, D&ADs, The One Show, and the AICP Awards, and last year they launched their own production company, The Salmon, in Canada. Working across film, television, and commercials, they have directed for brands such as Chase, ESPN, Geico, Pizza Hut and more - as well as on series with HBO Canada, CBC and SyFy. Together since film school, directorial duo Adam Brodie and Dave Derewlany (known professionally as ‘Adam & Dave’) are notorious for their comedic work and are represented in the US and UK by Arts & Sciences.
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